Raga Yaman Kalyan, also known as Yaman Kalyan or simply Kalyan, is a variant or a closely related raga to Raga Yaman. While Raga Yaman is a popular and well-known raga in Hindustani classical music, Raga Yaman Kalyan is a specific interpretation or version of Yaman that exhibits distinct melodic characteristics.
In Raga Yaman Kalyan, the raga follows the same basic scale as Yaman but incorporates additional melodic phrases and variations.
The inclusion of shudh Madhyam (MA) in Yaman Kalyan introduces a distinctive flavor and creates a subtle shift in the mood and emotional expression of the raga. The shudh Madhyam (MA) adds a touch of melancholy and creates a slightly more complex melodic structure. It provides opportunities for unique melodic phrases and expressions that distinguish Yaman Kalyan from Yaman.
While both Yaman and Yaman Kalyan share some similarities in terms of their scale and overall framework, the presence of the shudh Madhyam (MA) sets Yaman Kalyan apart and gives it a distinct identity. The variations and melodic motifs derived from the tivra Madhyam create a different melodic landscape and evoke specific emotions and moods.
In performances of Yaman Kalyan, musicians explore the melodic possibilities offered by the raga, incorporating the characteristic phrases and movements that highlight the presence of the tivra Madhyam. The distinctiveness of Yaman Kalyan lies in its ability to evoke a mix of emotions, blending elements of joy, introspection, and a touch of yearning or longing.
It is worth noting that there may be slight differences in the interpretation and usage of Yaman Kalyan among different musicians and musical traditions. The nuances and improvisations introduced by individual artists contribute to the diversity and richness of the raga.
In summary, Yaman Kalyan is a variant or interpretation of Raga Yaman that includes the shudh Madhyam (MA) in its scale. This addition creates a subtle shift in the mood and emotional expression of the raga, distinguishing Yaman Kalyan from the regular Yaman. Musicians explore the melodic possibilities offered by Yaman Kalyan, showcasing the unique character and evocative power of this raga.
Prahar – 5 (6pm-9pm)
Thaat – Kalyan
Aroha – S R G M P D N S’
Avaroha – S’ N D P M G m G R S
Pakad – ‘N R G- , P- M G- , m G R S
Vadi Swar – GA (G)
Samvadi Swar – PA (P)
Notation Symbols Explained
Timing and Pauses
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