by Enayet Hossain | Mar 10, 2023 | Term
This is the descending order of notes. It may be sequential or non-sequential depending on the raga. Example: (NI DHA PA MA GA RE SA) or (NI PA MA RE SA) Below are examples of Avaroha in Ragas: Bilaskhani Todi, Lalit and Marwa. Content provided by...
by Enayet Hossain | Mar 10, 2023 | Term
This is the ascending order of notes. It may be sequential or non-sequential depending on the raga. Example: (SA RE GA MA PA DHA NI) or (SA GA MA PA NI) Below are examples of Aroha in Ragas: Bilaskhani Todi, Lalit and Marwa. Content provided by...
by Enayet Hossain | Mar 9, 2023 | Raga
Raga Bilaskhani Todi is a captivating and emotive raga in Hindustani classical music. It is categorized under the Bhairavi thaat and is performed in the morning. Bilaskhani Todi is known for its melancholic and introspective nature, evoking a deep sense of pathos and...
by Enayet Hossain | Mar 9, 2023 | Raga
Raga Ahir Bhairav is a raga that does not fall into the 10 thaats classified by Bhatkhande. Although some maintain that this raga belongs to the Bhairav thaat. However, it is always played early morning around between 6am and 9am. Ahir Bhairav is believed to have...
by Enayet Hossain | Mar 8, 2023 | Raga
Raga Janasamohini is a beautiful and captivating raga that belongs to the Carnatic music tradition of South India. It is known for its melodic richness and evocative nature, capable of creating a sense of deep emotional resonance. Raga Janasamohini is considered a...
