by Enayet Hossain | May 17, 2024 | Term
Ragmala, also known as Ragamala or Ragmalika, is a fascinating concept in Indian classical music that involves a series or a garland of ragas. The term “Ragmala” translates to “garland of ragas,” where multiple ragas are woven together in a...
by Enayet Hossain | May 17, 2024 | Term
Dhuns are delightful instrumental compositions that bring a lighter, more accessible side to Indian music. Unlike the complex improvisations of classical ragas, Dhuns offer simple melodies and a joyful atmosphere, making them a favorite among audiences. Key...
by Enayet Hossain | Apr 27, 2024 | Term
In Hindustani classical music, “Murchhana” refers to the concept of modulation or changing the scale of a raga. It involves shifting the tonic or fundamental note of the raga to another note within the same scale. This enables exploration of different...
by Enayet Hossain | Sep 22, 2023 | Term
Tarana, in Indian classical music, is a distinctive and lively form of composition primarily associated with the North Indian Hindustani tradition. It is characterized by its rhythmic and mnemonic syllables, known as “bol,” and is often used as a...
by Enayet Hossain | Sep 22, 2023 | Term
Meend is a fundamental and expressive ornamentation technique in Indian classical music, both in the Hindustani and Carnatic traditions. It involves a graceful gliding or sliding movement from one note to another within a specific raga. Meend is employed to enhance...
by Enayet Hossain | Sep 22, 2023 | Term
This stanza represents the third section of a dhrupad composition. In the Sanchari section, the notes are structured in both ascending and descending patterns. The melodic scale of the Sanchari typically spans from the lower (mandra saptak) SA to the higher (taar...
