by Enayet Hossain | Mar 26, 2025 | Raga
Raga Hindol embodies the effervescent spirit of spring and the joyous abandon of Holi, weaving a tapestry of emotions that oscillate between celebration and tender reflection. Its pentatonic structure—omitting Re and Pa—creates a luminous, weightless quality, evoking...
by Enayet Hossain | Mar 13, 2025 | Raga
Your content goes here. Prahar – 7 (12am – 3am) Thaat -Kafi Aroha – S m P g m D N S’ Avaroha – ‘S N ‘S, n D n P m P g m R S Pakad – S m -, g m D N S’, D n P, g m R S Vadi Swar – MA Natural (m) Samvadi Swar...
by Enayet Hossain | Mar 13, 2025 | Raga
Your content goes here. Prahar – 1 (6am – 9am) Thaat – Kafi Aroha – S R m P n S’ Avaroha – S’ P- D P- m P g- R g- S- R- n S Pakad – R g S R ‘n S, R m P d m P R g, S R, ‘n S Vadi Swar – PA (P) Samvadi...
by Enayet Hossain | Feb 20, 2025 | Raga
Raga Maru Bihag is a late-night Hindustani classical raga that combines elements of Ragas Maru and Bihag. It uses both natural and sharp madhyam (ma and Ma), with pancham (Pa) as its vadi swar. The raga creates a unique blend of Maru’s gravity and Bihag’s...
by Enayet Hossain | Feb 20, 2025 | Raga
Your content goes here. Prahar – Thaat – Aroha – Avaroha – Pakad – Vadi Swar – Samvadi Swar – Notation Symbols Explained Symbol Meaning Western Equivalent S SA C r Komal RE (flat Re) D♭ (C#) R RE (natural Re) D g Komal GA...
by Enayet Hossain | Feb 20, 2025 | Raga
Raga Dev Gandhari immerses the listener in a twilight realm of profound introspection and spiritual yearning, its melodies steeped in the quiet ache of unfulfilled longing. Often performed in the pre-dawn hours (3 AM–6 AM), this raga evokes the stillness of night’s...