Dabir Khan

Dabir Khan (1905 – 1972), a 20th-century Indian musician, stood as the last torchbearer of the Rampur Seni veena tradition. His lineage boasted a connection to the famed 18th-century veena player Niamat Khan, believed to be a descendant of Miyan Tansen’s...

Joydeep Ghosh

Joydeep, one of the youngest disciples of Pt. Radhika Mohan Maitra, was raised in a family deeply passionate about music. His journey into Indian Classical Music began at the tender age of four, under the guidance of Pandit Anil Roy Chowdhury, a senior disciple of...

Murchchana

In Hindustani classical music, “Murchhana” refers to the concept of modulation or changing the scale of a raga. It involves shifting the tonic or fundamental note of the raga to another note within the same scale. This enables exploration of different...

Tarana

Tarana, in Indian classical music, is a distinctive and lively form of composition primarily associated with the North Indian Hindustani tradition. It is characterized by its rhythmic and mnemonic syllables, known as “bol,” and is often used as a...

Meend

Meend is a fundamental and expressive ornamentation technique in Indian classical music, both in the Hindustani and Carnatic traditions. It involves a graceful gliding or sliding movement from one note to another within a specific raga. Meend is employed to enhance...