by Enayet Hossain | Aug 22, 2023 | Term
Prahar 2: Madhyanha (9:00 AM – 12:00 PM) A. Transition from the morning to the mid-day Prahar:– Prahar 2 marks the transition from the early morning to the mid-day hours, usually starting around 9:00 AM.– It represents the gradual progression of the day and the...
by Enayet Hossain | Aug 22, 2023 | Term
Prahar 1: Purvanha (6:00 AM – 9:00 AM) A. Description of the morning Prahar and its association with the sunrise:– The first Prahara marks the early hours of the morning, beginning around 6:00 AM.– It is associated with the majestic beauty of the sunrise and the...
by Enayet Hossain | Aug 15, 2023 | Raga
Raga Shivranjani is a prominent raga in the Kafi thaat, which is one of the ten fundamental scales in Hindustani classical music. It is characterized by its serene and contemplative mood, often associated with the feeling of longing, devotion, and introspection....
by Enayet Hossain | Aug 15, 2023 | Raga
Raga Gawati, also known as Bheem, is a captivating and emotive raga in Indian classical music. It belongs to the Kafi thaat and is characterized by its distinctive melodic pattern, which includes both natural and flat (komal) notes. Raga Gawati is typically performed...
by Enayet Hossain | Aug 15, 2023 | Raga
Raga Chhayanat, also known as Chhayanata or Chhayanata Kalyan, is a prominent raga in the realm of Indian classical music. It is often associated with the Kalyan thaat, which provides a framework for its melodic structure. Raga Chhayanat is typically performed during...
