by Enayet Hossain | Sep 22, 2023 | Term
This stanza represents the third section of a dhrupad composition. In the Sanchari section, the notes are structured in both ascending and descending patterns. The melodic scale of the Sanchari typically spans from the lower (mandra saptak) SA to the higher (taar...
by Enayet Hossain | Sep 22, 2023 | Term
In dhrupad compositions consisting of four sections, the final part is referred to as the abhog, which translates to “finale” in literal terms. Derived from the root word “Bhuj,” meaning “to fulfill,” abhog signifies a state of complete absorption. Musically, the...
by Enayet Hossain | Sep 22, 2023 | Term
Tihai, in the context of Indian classical music, is a rhythmic and melodic phrase that is repeated three times, leading to a synchronized and climactic conclusion on the first beat of a rhythmic cycle (often on the sam, which is the first beat of the tala or rhythmic...
by Enayet Hossain | Sep 22, 2023 | Term
Meerkhand, also known as Khandamaeru, is a significant concept in Indian classical music. It represents the modern name for the ancient method ‘Prastara.’ This method involves the systematic summation of taans or vistars, based on mathematical permutations...
by Enayet Hossain | Sep 22, 2023 | Term
In Indian classical music, “Pukar” refers to a vocal or instrumental technique where the musician calls out or plays a distinct and attention-grabbing musical phrase or motif. This technique is used to draw the listener’s focus and create a dramatic...
